Plutonic Rainbows

William Gibson - Agency

Renowned science fiction writer will publish a new book, Agency next January. It will serve as both a sequel and prequel to his last novel, The Peripheral.

New York Times:

William Gibson’s science fiction is so eerily prophetic that sometimes it seems as if he’s creating the future, not just imagining it.

He coined the word “cyberspace” and popularized the concept through his 1984 debut novel, “Neuromancer,” well before the internet transformed human communication and daily life. He was crowned a prophet of the information age and has been credited with foreseeing the ways technology shapes our identity, and the rise of reality television and technological innovations like Google Glass.

But last fall, Mr. Gibson’s predictive abilities failed him. Like so many others, he never imagined that Donald J. Trump would prevail in the 2016 election. On Nov. 9, he woke up feeling as if he were living in an alternate reality. “It was a really weird and powerful sensation,” he said.

Most people who were stunned by the outcome managed to shake off the surreal feeling. But being a science fiction writer, Mr. Gibson, 69, decided to explore it.

The result is “Agency,” Mr. Gibson’s next novel, which Berkley will publish in January. The story unfolds in two timelines: San Francisco in 2017, in an alternate time track where Hillary Clinton won the election and Mr. Trump’s political ambitions were thwarted, and London in the 22nd century, after decades of cataclysmic events have killed 80 percent of humanity. In the present-day San Francisco setting, a shadowy start-up hires a young woman named Verity to test a new product: a “cross-platform personal avatar” that was developed by the military as a form of artificial intelligence. Meanwhile, characters in the distant future are interfering with the events unfolding in 2017, through technological time travel that allows them to send digital communications to the past.

For the most part, people living under President Clinton carry on as if nothing unusual has occurred. “The characters in the book are scarcely aware of the broader political landscape,” Mr. Gibson said. “No one ever says, ‘Thank God we’re not in that other time track.’”

In some ways, “Agency” functions as both a sequel and a prequel to Mr. Gibson’s noirish 2014 novel, “The Peripheral,”set partly in the same futuristic, postapocalyptic London, after the world has been devastated by climate change, droughts, famines and political chaos. The novel’s plot also hinges on technological time travel, which enables people from the future to alter past events and create a “stub,” or an alternate time track.

Mr. Gibson never set out to write a sequel, but the plots of “Agency” and “The Peripheral” converged unexpectedly last fall. He had spent about a year writing “Agency” when the 2016 election rendered the fictional world he had created obsolete. “I assumed that if Trump won, I’d be able to shift a few things and continue to tell my story,” he said. But when he tried tinkering with the draft, he realized that the world had changed too drastically for him to plausibly salvage the story. “It was immediately obvious to me that there had been some fundamental shift and I would have to rebuild the whole thing,” he said.

He changed the framework by resurrecting the time-travel mechanism he created in “The Peripheral” and making the world in which Mrs. Clinton won the presidency a stub, an alternate branch of reality created by a meddling time traveler.

Perhaps not surprisingly, given his grim vision of the future, Mr. Gibson tries to shrug off the prophet label. He’d rather not be called a prescient visionary.

“Every imaginary future ever written is about the time it was written in,” he said. “People talk about science fiction’s predictive possibilities, but that’s a byproduct. It’s all really about now.”

There is no pre-order page yet but I imagine it will appear in the next few months.

Gas - Narkopop

New release from Kompakt. Gas has crafted an album of droning, mounting dread mixed with symphonic reveries that take the listener away to other worlds.

As an ambient album, it's okay but I found my attention wandering during the latter half with some pieces being too long and unmemorable.

It's available on Audio CD and vinyl but it's pricey, I think.

Kraftwerk - The 3-D Catalogue

Kraftwerk release a new box set featuring all eight of their albums (again). This time, it's live 3-D multi-media performances from around the world. Available on May 27th.

Personally I do wish they would have spent the last ten years writing new material instead of endless re-issues. Honestly, is there any point to more of the same? Fans will likely disagree.

The new (old) albums are available in a variety of formats below.

Vinyl

Audio CD

Blu-ray DVD Audio

Roger Waters - Is This The Life We Really Want?

Ex-Pink Floyd member releases his first new album since 1992 on June 2nd. Not much is known as at this time but there is a video for one of the new songs, Smell The Roses.

The new album is available on Audio CD & Vinyl.

Niggas With Guitars - Ethnic Frenzy

A somewhat esoteric release from a rather obscure band/artist. The music is uneasy and haunting.

Boomkat:

Heavily engaged mission music from the mysterious sect of Niggas With Guitars, coming correct with a stunningly evocative debut vinyl for Digitalis. In the vein of Dylan Ettinger's 'New Age Outlaws' or Leyland Kirby's muddled memories, 'Ethnic Frenzy' is a vivid internal soundtrack for hypnagogic dreamers, warping the memes of Vangelis or Carpenter in much the same way Pat Maher's DJ YoYo Dieting did to DJ Screw or Indignant Senility to Wagner.

Cruising in to the A-side we're slowly immersed in smoked-out and sludgy choral drones punctuated with fractured gasps of drum machine reminding of the 1st Chasing Voices 12", before we reach the bottom and everything becomes blissed out and stargazing with a soulful slopped and screwed ending.

The second side is more unresolved, amping the drama with a weirdly affecting orchestral synth score before tipping over the edge into paranoid, muffled voices while clammy Italian horror hooks give a dank atmosphere and we're dumped from the boot to blunted back alley 808s. Check the samples for yourself, but we should stress that spending a bit of time with this record is a memorable experience.

Digital Edition