With the forthcoming release of '50 Shades of Grey', I was reminded to look
again at a film I have not seen in its entirety for quite a few years. The film
is called 9 ½ Weeks, released in 1986 and directed by
Adrian Lyne. It starred Mickey Rourke and Kim Basinger. At the time, it was a
commercial disaster with low ticket sales and poor reviews. Lyne had previously
made ‘Flashdance’ and went on to direct ‘Fatal Attraction’ which was a very
pivotal film during the late 1980s. He also made ‘Indecent proposal’ with Demi
Moore. Lyne has mostly constructed films that revolve around the powerful and
destructive nature that govern romantic relationships. He was also part of a
group of British directors that were more or less totally responsible for saving
the fortunes of Hollywood during the 1980s. The others were Ridley Scott (and
his brother Tony Scott) and Alan Parker.
Watching ‘9½ Weeks’ again, more than twenty five years later, I think it’s a
real masterpiece that has been overlooked and forgotten. The story revolves
around Elizabeth (Basinger) who works as an art gallery assistant. She becomes
entwined with John, a very handsome and enigmatic Wall Street trader (Rourke).
She quickly falls in love with him but their relationship soon begins to break
all the rules. Cross-dressing, bondage and sex in public places. Doesn’t that
remind you of a recently released series of books?
I haven’t read any of the ‘Shades of Grey’ books but just watching the trailer
and reading the plot put me in mind of this film - one that had already covered
similar territory very convincingly almost thirty years ago. '9½ Weeks' was
actually made in 1984 but shelved for two years.
It comes across now as a somewhat dated film in terms of fashion - although
some will find a beautiful nostalgia in so many scenes, shopping at Commes Des
Garçons, Elizabeth’s hair style and hat, John’s Nakamichi RX-505 cassette deck,
McIntosh amplifier and Manhattan loft apartment. All these things were the
height of cool once upon a time. Another point where the film excels is the
beautiful photography with scenes filmed in a variety of atmospheric locations
in New York. You can look
here for a full list.
The soundtrack features many artists that were a staple of the 1980s but the
best music is the main love theme
written by Jack Nitzsche - a haunting and melancholic piece that somehow totally
encompasses the emotions of the movie. Nitzsche was a master at this sort of
thing. As a young man, this simple piano piece affected me greatly. Other
composers included are Jean-Michel Jarre, Eurythmics, Stewart Copeland and Bryan
Ferry
The acting in '9½ Weeks' is really good and I cannot understand how it was so
panned at the time. There is a real tension in the performances - which was
fueled by rumors of on-set conflict between Mickey Rourke and Kim Basinger.
I do not know precisely why this particular film has had such a strange hold
over me all these years. The plot is slight and in many ways, it could be
criticized for having more style than substance. And yet it continues to haunt
me. I think partly it must be the nostalgic value due to the fact that I first
saw it as a teenager. But that doesn't explain it all. I think it is a smart and
stylish movie with a soundtrack that suits it very well. The closing minutes are
also particularly memorable - especially as the main theme is repeated there too
after Elizabeth finally leaves John and walks away crying into the New York
twilight, surrounded by strangers.
If you get time, I strongly urge you to check out '9½ Weeks'. It remains a
classic film from decades past.
You can pick up the DVD from Amazon here.