Plutonic Rainbows

Five years ago the British folklore research project Folklore Tapes released Two Witches by label heads David Chatton Barker and Ian Humberstone. A vinyl version was released soon after by Demdike Stare and Andy Votel's Pre-Cert imprint. To celebrate, Folklore Tapes has put together the mixtape and zine project: Library Catalogue Cassette Volume 1: 2011–2016, which includes an extensive history of the label written by Jez Winship. It went on sale on Bleep last week and sold out in a staggering two hours.

The label has offered a stream of the mixtape. And you can read more about Folklore Tapes over at their website.

A new novel from the late author is due next year in June.

The year is 1876.

Among the warring Indian tribes and lawless gold-rush towns of America’s western territories, two paleontologists pillage the Wild West. They are hunting for dinosaur fossils, while surveilling, deceiving and sabotaging each other in a rivalry that will come to be known as the Bone Wars.

Into this treacherous territory plunges the arrogant and entitled Yale student William Johnson. Determined to survive a summer in the west to win a bet, William has joined world-renowned paleontologist Othniel Charles Marsh on his latest expedition. But Marsh becomes convinced that William is spying for his nemesis, Edwin Drinker Cope, so he abandons him in Cheyenne, Wyoming, a locus of crime and vice.

Soon William joins forces with Cope and stumbles upon a discovery of historic proportions. The struggle to protect this extraordinary treasure tests William’s newfound resilience, and pits him against some of the West’s most dangerous and notorious characters.

You can order from Amazon here.

Enjoying watching a series of science programmes first broadcast in 1978. Interesting to see how the future was spoken about and the point at which science was back in the late 1970s. Most of these are available on YouTube.

Brian Eno has spoken a little about the up-coming app edition on iOS devices.

Eno’s follow-up to his 2016 album The Ship further expands his pioneering catalog of ambient releases, including his full length LUX in 2012. Composed of just one 54-minute title track, the generative edition of Reflection was developed by Eno and his long-time collaborator Peter Chilvers. Here’s more from Eno on the generative Reflection versions being made available on Apple TV and iOS:

Reflection is the most recent of my Ambient experiments and represents the most sophisticated of them so far. My original intention with Ambient music was to make endless music, music that would be there as long as you wanted it to be. I wanted also that this music would unfold differently all the time – “like sitting by a river”: it’s always the same river, but it’s always changing. But recordings – whether vinyl, cassette or CD – are limited in length, and replay identically each time you listen to them. So in the past I was limited to making the systems which make the music, but then recording 30 minutes or an hour and releasing that. Reflection in its album form – on vinyl or CD – is like this. But the app by which Reflection is produced is not restricted: it creates an endless and endlessly changing version of the piece of music.

The creation of a piece of music like this falls into three stages: the first is the selection of sonic materials and a musical mode – a constellation of musical relationships. These are then patterned and explored by a system of algorithms which vary and permutate the initial elements I feed into them, resulting in a constantly morphing stream (or river) of music. The third stage is listening. Once I have the system up and running I spend a long time – many days and weeks in fact – seeing what it does and fine-tuning the materials and sets of rules that run the algorithms. It’s a lot like gardening: you plant the seeds and then you keep tending to them until you get a garden you like.

The app-based edition comes alongside more conventional vinyl LP, CD, digital download and streaming offerings. “Moving the composition into software allowed an extra opportunity,” said Chilvers. “The rules themselves could change with the time of day. The harmony is brighter in the morning, transitioning gradually over the afternoon to reach the original key by evening. As the early hours draw in, newly introduced conditions thin the notes out and slow everything down.”

The new album and the iOS app are released on the January 1st 2017.